05 15 2024
KRISTIAN MELOM →
I randomly came across Kristian’s documentary Dear Dreamer about 6 months ago and I was really blown away. I knew I wanted to make a short doc piece about the making of the album and the tone of Dear Dreamer was exactly what I was looking for. Very lyrical and sensitive, and I loved all of the interesting moments incorporating the young students. I was extra blown away that he lived only about an hour away in ATL. Because it was so important to me to have a vibrant spring look, we didn’t start shooting until Mid-March. So it has been a mad dash to the finish line in terms of shooting and editing. Here is another one of his doc pieces called the River.
ORIGINAL MUSIC FROM THE NFAQL DOC →
I felt burnt out from making music right before starting work on NFAQL and I took about 3 months in early 2022 just making really simple, improvised music. It was the first time in a long time that I wrote just for the fun of it instead of being focused on being productive towards a commercial project. I started playing piano a lot and simply capturing the performances via rough iPhone recordings. When it came time to add “score” music to the documentary it seemed like an obvious place to start. So Kristian picked out a bunch of snippets from my archive. He insisted that we use them “as-is” and not re-record so you can hear a lot of mistakes (as well as background noises like my young son Owen). Here are the recordings that made it in the score.
INSPIRATION FOR THE NFAQL DOC →
Kristian and I both are big film fans and have a special love for nonfiction documentary based story-telling. We spent a lot of time sharing inspiration back and forth. These are a few documentaries that we both really liked and that shared some similarity to the NFAQL story.
05 02 2024
NOTES FROM A QUIET LIFE LP →
The musical direction on this album felt a lot more minimalist in terms of the production, so I wanted the cover image to mirror that with a starkness and simplicity. The photo was taken by a Korean photographer named Myoung Ho Lee who builds elaborate white backdrops that frame large trees in space. Conceptually I like how this reframing focuses attention on natural elements as art objects. Check out this long-play BTS footage from one of his shoots.
THE POETRY OF MARY OLIVER →
I’ve enjoyed reading Mary Oliver over the last couple of years. Not only does she capture beautiful images, but she sheds light on beautiful moments that might otherwise be taken for granted. I’ve tried to practice this sort of mindfulness and inquisitiveness in my own life. This essay by Maria Popova does a great job of describing the magic of her work.
THE HARDEST PART [OFFICIAL VIDEO] →
The first song from NFAQL has a video directed by a filmmaker I’ve been a fan of for a long time, Paul Trillo. It’s also the first commissioned music video created entirely using OpenAI’s Sora text-to-video model. Sora’s not available to the public yet, so it was cool working with Paul to test the limits of what a tool like that could do in the context of a music video that couldn’t have made with any other technology.
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05 15 2024
KRISTIAN MELOM →
I randomly came across Kristian’s documentary Dear Dreamer about 6 months ago and I was really blown away. I knew I wanted to make a short doc piece about the making of the album and the tone of Dear Dreamer was exactly what I was looking for. Very lyrical and sensitive, and I loved all of the interesting moments incorporating the young students. I was extra blown away that he lived only about an hour away in ATL. Because it was so important to me to have a vibrant spring look, we didn’t start shooting until Mid-March. So it has been a mad dash to the finish line in terms of shooting and editing. Here is another one of his doc pieces called the River.
ORIGINAL MUSIC FROM THE NFAQL DOC →
I felt burnt out from making music right before starting work on NFAQL and I took about 3 months in early 2022 just making really simple, improvised music. It was the first time in a long time that I wrote just for the fun of it instead of being focused on being productive towards a commercial project. I started playing piano a lot and simply capturing the performances via rough iPhone recordings. When it came time to add “score” music to the documentary it seemed like an obvious place to start. So Kristian picked out a bunch of snippets from my archive. He insisted that we use them “as-is” and not re-record so you can hear a lot of mistakes (as well as background noises like my young son Owen). Here are the recordings that made it in the score.
INSPIRATION FOR THE NFAQL DOC →
Kristian and I both are big film fans and have a special love for nonfiction documentary based story-telling. We spent a lot of time sharing inspiration back and forth. These are a few documentaries that we both really liked and that shared some similarity to the NFAQL story.
05 02 2024
NOTES FROM A QUIET LIFE LP →
The musical direction on this album felt a lot more minimalist in terms of the production, so I wanted the cover image to mirror that with a starkness and simplicity. The photo was taken by a Korean photographer named Myoung Ho Lee who builds elaborate white backdrops that frame large trees in space. Conceptually I like how this reframing focuses attention on natural elements as art objects. Check out this long-play BTS footage from one of this shoots.
THE POETRY OF MARY OLIVER →
I’ve enjoyed reading Mary Oliver over the last couple of years. Not only does she capture beautiful images, but she sheds light on beautiful moments that might otherwise be taken for granted. I’ve tried to practice this sort of mindfulness and inquisitiveness in my own life. This essay by Maria Popova does a great job of describing the magic of her work.
THE HARDEST PART [OFFICIAL VIDEO] →
The first song from NFAQL has video directed by a filmmaker I’ve been a fan of for a long time, Paul Trillo. It’s also the first commissioned music video created entirely using OpenAI’s Sora text-to-video model. Sora’s not available to the public yet, so it was cool working with Paul to test the limits of what a tool like that could do in the context of a music video that couldn’t have made with any other technology.
DISCOGRAPHY
